Flux pavilion academy8/28/2023 Simon Anton’s achievements extend beyond his selection for the Venice Biennale. They spoke of their excitement about the diverse range of projects and the opportunity to highlight the visionary work of Simon Anton and other talented architects. This year, the US Pavilion’s exhibition is organized by Spaces, a non-profit gallery in Cleveland, and it will be accompanied by a publication, Sketches On Everlasting Plastics, created in partnership with Columbia Books on Architecture and the City to provide references for understanding the exhibition as well as expanding the material beyond the scope of the US Pavilion.Īs the opening of the 18th Venice Architecture Biennale approaches, conducted an interview with the curators of the American Pavilion. Of the process, Anton said, “The Biennale environment provided a rich architectural pedestal to explore ornamentation at different points in architectural history while simultaneously talking about a very contemporary and future-affecting problem of plastic waste.” He explores new methods of working with plastic through a process of making metal sculptures and then grafting plastic onto those frameworks. Anton’s site-specific installation is concerned with architectural ornamentation, focusing on different points in architectural history. In an interview with CAN Journal, Anton discussed his participation in the biennale and the conceptual underpinnings of his installation. His work, characterized by a fusion of sustainable design principles and futuristic aesthetics, has garnered attention and critical acclaim. Photo by ReportArch / Andrea Ferro PhotographyĪnton’s inclusion in the exhibition is a testament to his talent and innovative approach to architecture and design. ‘Everlasting Plastics,’ United States Pavilion, Biennale Architettura 2023. Like this? Check out Office Listening: Flux Pavilion 'Blow The Roof'.Simon Anton, ‘This Will Kill_That,’ 2023, Recycled plastic waste, steel. Tickets are now on sale – stay informed of all updates to the tour by joining the Flux Pavilion: Freeway Tour group. This winter he’ll be going on a twelve date tour (dates above), ably supported by another earthquake inducing exponent of the bass rumble, Datsik. He's also been one third of the Circus Records imprint, pushing music from the likes of Funtcase, Cookie Monsta and more, making him one of the leading lights in a genre built on relentless aural excess. His beats were utilised by hip-hop royalty when Jay-Z and Kanye West centred his undeniable rumble around their ‘Who Gon Stop me’ track from the 2011 album Watch the Throne, whilst the soundtracks to Both The Great Gatsby and video game SSX have been bolstered by his sounds. Whether it’s the eardrum rupturing ‘Bass Cannon’, the swaggering skank of his Doctor P collaboration ‘Superbad’ (above) or the stadium sized synths of ‘I can’t stop’, Flux Pavilion represents the kind of full force electronic music that harks to the legend of the genres such as Pendulum, The Prodigy and The Chemical Brothers. The 24 year old known to his mum as Joshua Steele has been a driving force on the more relentless side of dubstep since literally exploding onto the scene in 2008, since going onto become one of the most dynamic aggressors of brutally blistering speaker sonics. If you like a bit of bass in your face, there’s every chance you’ve had it melted by the sounds of Flux Pavilion.
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